Captive State 2019 Filmid Eesti Keeles - Kinodes
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Captive State 2019 Filmid Eesti Keeles - Kinodes
Filmimeeskond
Koordineerimise kunstiosakond : Braudel Rossana
Stunt-koordinaator : Costa Loiseau
Stsenaariumi kujundus :Liza Baya
Pildid : Mariame Hendrix
Co-Produzent : Moïse Bellamy
Saatejuht : Acosta Ince
Juhendava kunsti direktor : Fehzan Charpie
Lavastada : Greta Rosalie
Tootja : Rhea Salin
Näitleja : Zucker Hirad
Nearly a decade after occupation by an extraterrestrial force, the lives of a Chicago neighborhood on both sides of the conflict are explored. In a working-class Chicago neighborhood occupied by an alien force for nine years, increased surveillance and the restriction of civil rights have given rise to an authoritarian system -- and dissent among the populace.
5.4
424

Captive State | |
kellaaeg | 128 seconds |
Vabastama | 2019-03-15 |
väärtuslik omadus | Sonics-DDP 720p WEBrip |
järk | Science Fiction |
language | English |
castname | Montagu W. Atlas, Berie D. Bernie, Coluche I. Bethany |
[HD] Captive State 2019 Filmid Eesti Keeles - Kinodes
Lühifilm
Kulutatud : $244,142,138
Sissetulek : $089,107,752
Categorie : Metaphysik - Fidelity , Great - Tapferkeit , dumm - Benzin , Erziehung - Soundtrack
Tootmisriik : Elfenbeinküste
Tootmine : A2D2 Filmid
George Monbiot Wikipedia den frie encyklopædi ~ George Monbiot født 27 januar 1963 er en journalist forfatter og politisk aktivist i England som skriver en ugentlig artikel til den engelske avis The Guardian Monbiot har med flere bogudgivelser markeret sig som en væsentlig ideudvikler i den globaliseringskritiske bevægelse Monbiot er uddannet ved Stowe og siden på Brasenose College i Oxford
Thom Yorke Wikipedia den frie encyklopædi ~ Yorke er ven med George Monbit en miljøorienteret forfatter akademiker og journalist der har skrevet bogen Captive State som Yorke dedikerede sangen No Surprises til under en koncert i 2001 Han er også offentligt opmærksom på blandt andet menneskerettigheder
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Eurabia The EuroArab Axis Wikipedia den frie encyklopædi ~ Eurabia The EuroArab Axis ISBN 083864077X er en bog af den britisk egyptisk forfatterinde historiker Gisèle Littman også kendt under pseudonymet Bat Yeor I bogen omtaler Littman forhandlinger aftaler og beslutninger der angiveligt er foregået siden de tidlige 70ere mellem europæiske ledere og ledere fra den arabiske verden hvilket har resulteret i oprettelsen af hvad hun
Kvindehandel Wikipedia den frie encyklopædi ~ Kvindehandel eng Trafficking in women er en form for menneskehandel der involverer slaveri transport og handel med og salg og køb af kvinder mod deres vilje Når man taler om kvindehandel menes der sædvanligvis kvindehandel med tvangsprostitution som formål mens ordet menneskehandel er mere almindeligt at bruge når man taler om andre former for tvangsarbejde
Fugle Wikipedia den frie encyklopædi ~ Fugle Aves er tobenede landlevende hvirveldyr der lægger æg og har næb og fleste fugle kan flyve og er ligesom pattedyr regnes traditionelt for en klasse af hvirveldyr Der findes omkring 10000 kendte nulevende arter hvilket gør fuglene til den mest artsrige gruppe af de firelemmede dyr findes i alle typer miljø lige fra Arktis til
Scott Speedman Wikipedia den frie encyklopædi ~ Robert Scott Speedman født 1 september 1975 bedre kendt som Scott Speedman er en canadisk film og er bedst kendt for at spille Ben Covington i drama tvserien Felicity og LycanVampyr hybriden Michael Corvin i Underworld filmserien Filmografi
Enzym Wikipedia den frie encyklopædi ~ Enzymer er generelt kugleformede proteiner selv om andre former kan forekomme og måler fra 62 aminosyrerester ca 68 kDa i størrelse for monomeren af 4oxalocrotonattautomerase til over 2500 rester ca 275 kDa i det animalske enzym fedtsyresynthase Enzymers størrelse angives oftest i antal aminosyrerester eftersom forskellig form og foldning gør en beskrivelse i rumfangs eller
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As a huge fan of the sci-fi genre, especially when it involves alien invasions of some kind, movies like this always leave me excited. It doesn’t matter what the audience or critics have been saying (in fact, it never does) because it won’t affect my enthusiasm (in fact, nothing does). By knowing who the cast, director, writers, and producers are, I instantly know how high or low I need to set my expectations. Having this in mind, I was hoping that Captive State could be one of 2019’s surprises. It has an unusual concept that can provide a very unique story if it’s well-told, so the big question is: did they execute all of their ideas successfully?
Unfortunately, no. Not even close. Honestly, the screenplay is so convoluted and messy that I felt “lost” several times. I admire the amount of work that they put into this because they actually did and it shows. The overall concept and its ramifications are all there, the story is indeed interesting. It’s just the way that it’s told that ruins the entire thing. However, the first sentence I heard after the film’s conclusion, came from someone who said: “here I was expecting massive action and …” If you go into your movie theater expecting a straightforward, action-heavy, alien-invasion-type flick and you leave disappointed, that’s on you! From the trailers to its marketing, there was never a message of “hey, this is pure action, humans vs. aliens!”
It tried its best to give the world a different take on this “sub-genre”, let’s call it that. I mean, they had it all: a good cast with the always astonishing John Goodman (William Mulligan) as one of the protagonists, beautiful visual effects that elevated the set design, and the aliens actually have an intriguing physical shape. Sadly, there’s barely any aliens throughout the runtime. There’s hardly … anything. I don’t know what happened post-production, but it feels like they were pushed to deliver something different, so they cut all of the other scenes with extra-terrestrial stuff (I’m certain that they had more to show).
The main issue here is that you can never have a 100% ambiguous story. Arrival is probably the best non-typical alien-invasion movie ever, not because it scarcely shows any aliens or action, but due to its twistful and thought-provoking script. Nevertheless, it still shows a lot! You don’t leave that film disappointed because you didn’t see the inside of a spaceship or an actual alien. You leave perplexed and with your mind blown. Captive State just leaves you confused and wishing for more. A lot more. There’s really not that much more to say on this review without getting into spoiler territory.
Sadly, this is one of those movies that come out every year showing tremendous potential, an innovative and intriguing premise, but that in the end, it just isn’t able to succeed. It doesn’t structure its story and ideas in the most efficient way possible. Its execution is sloppy, filled with hollow characters, no real flow (it feels like it’s just a scene after another scene), too vague, and it profoundly hopes that you didn’t figure out a pretty obvious twist so they can shock you seconds away from the end. It’s not horrible, but it’s definitely frustrating and disappointing.
John Goodman delivers a great performance as always, and the visual effects are striking, to say the least. The production quality is undeniable, they really worked hard to provide the audience with an environment that actually feels real. The first act is pretty good, but it’s downhill from there. Ashton Sanders shares the lead with Goodman, and he’s also pretty good, no doubt about it. However, and this sums up the film pretty well: if I have to check online what the name of the main character was (Gabriel Drummond), then something went terribly wrong. It’s not going to end up being one of the worst movies of the year, but so far, it’s the biggest letdown.
Rating: C-
Honestly don't really know what I just saw. It's like if _The Battle of Algiers_ had no nuance, or if _District 9_ you know... sucked.
_Final rating:★★ - Had some things that appeal to me, but a poor finished product._
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